by Sting Lacson
(Edited by Chonx Tibajia.
Published in the Philippine STAR, p. Q-2, 10 Oct 2010.)
Change starts with inspiration─so what if it hits us while we're slouched comfortably at a movie theater, fingers stained orange from cheddar-flavored popcorn? I have been asked to come up with a list of ten films that inspire change, all for the greater glory of mankind. This forced me to think then if I should enumerate the standard, feel-good, awe-inspiring movies that will make you want to change the world after watching it. There are lots of those, of course, like Schindler's List, or Gandhi. But then these are films about people who caused change. However inspiring I'm sure they were, the films themselves did not really inspire the change. What I am looking for is the cinematic equivalent of Noli Me Tangere, a film that has actually caused change, and not simply a film about causing change.
There are some films that I would want to include here, but although they have caused change, those changes were not for the greater good. One example is The Godfather, a case of life imitating art imitating life. Modern day mob practices were actually inspired by this movie, with several high-profile mob bosses claiming to be huge fans of The Godfather. But since it’s about organized crime, which is a bad thing, it does not make it to this list.
Bagets (1984)
The list would not be complete without at least one Filipino film. Fresh from the shackles of martial law, Philippine cinema finally gives the Filipino youth a chance to stretch their legs. Bagets gave birth to the matinee idols of the eighties, influencing everything from fashion to speech, and it has actually succeeded in making youth-oriented movies very popular at the box office, unlike the serious adult-oriented films of the seventies.
Top Gun (1986)
During Top Gun's theatrical run, recruitment booths were placed outside the cinemas by the Navy, hoping to recruit the adrenaline-charged guys coming out of the theaters. The result: the highest number of recruits in decades. No film has ever inspired people to fly jets more than Top Gun.
Dead Poets Society (1989)
The theme of this film is not in itself original: the whole teacher-student inspiration thing began with Stand and Deliver a year earlier, and was echoed in Dangerous Minds six years later, and most recently by Coach Carter in 2005.However, Dead Poets Society will always be remembered for two words: carpe diem. Seize the day. Those words have been repeated countless times and have been made to apply to equally countless situations─and not just because it's in Latin.
Jurassic Park (1993)
Let's put it this way: Before Jurassic Park, filmmakers used Stan Winston animatronics or Jim Henson's puppets to create movie monsters. Jurassic Park itself also used animatronics, but at the same time tested the waters of computer-generated images. And after the obvious success, computer-generated imagery has become the most important innovation in cinematic history since the introduction of color. In fact, it has even acquired its own acronym: C.G.I. When something gets its own acronym, you know it's important.
Toy Story (1995)
Pixar Animation Studios will go down in history as the pioneer and trailblazer of computer animation. Purists used to be hesitant about using computers, saying it will never capture the soul of traditional hand-drawn cell animation. But director John Lasseter was himself a traditional animator who embraced this new medium. Fifteen years (and several Oscars later), computer animation has practically killed cell-animated films at the box office.
Harry Potter and the Sorcerer's Stone (2001)
Never mind that the rest of the world knows this as Harry Potter and the Philosopher's Stone. Although the movie version came four years after the book, Sorcerer's Stone has undoubtedly added to the already-solid fan base of the books. Although it is the Harry Potter books that are credited for making children re-discover the joys of reading, it is the first Harry Potter film that has made even the not-so-young ones pick up books and start flipping pages. And that is the reason why now, almost a decade later, we have more fans than ever before eagerly anticipating the first part of the conclusion of the Harry Potter saga.
The Passion of the Christ (2004)
There are no hard statistics to prove it, but I am pretty sure that after seeing this film, Catholic Sunday masses experienced a sudden influx of worshippers similar to what Whoopi Goldberg did in Sister Act. But this film was able to convert a huge chunk of the cast and crew to Catholicism. While filming. I know of no other film that has inspired change even before they began post-production.
300 (2006)
You can describe this movie using a single three-letter word: ABS. Now everyone, please be honest, after watching this movie, after seeing the brave Spartan warriors die a gallant death, did you not start doing sit-ups secretly in your room?
The Cove (2009)
This film will not leave you unaffected after watching it. You'll either 1) abstain from eating dolphins for the rest of your life, 2) start worshipping dolphins by buying all kinds of dolphin merchandise, 3) buy tickets to Bohol to swim with the dolphins, or 4) join groups like Greenpeace or the World Wide Fund and devote your life to protecting dolphins. And changing one single viewer is a step closer to changing (or completely eradicating) the practice of slaughtering dolphins. And no, dolphins are not just gay sharks.
Avatar (2009)
Although not the first film made in Real D 3D, Avatar definitely brought Real D away from the art film market (like U2 3D) and the kiddie market (like Spy Kids 3D) and brought it to a whole new level. Aside from developing new 3D optic technology, director James Cameron has inspired filmmakers after him to not be afraid of creating movies especially for 3D without worrying about production costs.
Sting Lacson writes for Da Couch Tomato (dacouchtomato.blogspot.com).
by Gene Paulo Abrajano
(Edited and titled by Chonx Tibajia
Published in the Philippine STAR, page J-2, Sat, 21 Aug 2010.)
The STAR's Features Editor called me and asked, “Pwede ka ba magsulat ng article para sa Ninoy Aquino Day?”
I replied, “Ninoy Aquino Day? Mayro'n ba n'un?” It was only after she thought I was weird that I realized that she was referring to NINOY, the guy in the five hundred-peso bill. Fail on my part.
Anyway, I said yes, and asked her what angle she wanted me to take on the article. We had a couple of discussions before we finally settled for “How the youth remembers Ninoy Aquino.” Or something to that effect. She told me to interview ten people, preferably those born after 1990, or at least post-EDSA.
Eager to do the assignment (and since I had like less than twenty-four hours to write it), I went to work immediately. The first person I interviewed was my sister, born in 1990. I told her I needed to write an article about Ninoy, and asked her what she knew about him. Twice in the same day, Ninoy has been mistaken for Noynoy. Or vice versa. Either way, this is definitely not right, and in my opinion, is a bigger problem than kids not knowing who Ninoy is altogether.
This of course made me wonder why people mistake P-Noy for that guy in the five hundred-peso bill. Okay, they look a bit alike. They're father and son, after all. But it seems that people have made P-Noy his father's avatar. This is quite surprising, as father and son are more than a generation apart. But I'd like to think that they share more than their names (incidentally, there is only a one-letter difference in their nicknames).
As is typical of famous father-son relationships, one would think that the son would have some “living under the shadow” issues. There's John and Julian Lennon. Then there's Bob and Ziggy Marley. But aside from being artists, the fathers' shadow has become too big for the sons to escape from. The Aquinos, on the other hand, are a different matter. Aside from being politicians, both of them seem to be casting only one shadow, Ninoy's. P-Noy has simply stepped into his father's shoes, and thus does not have to worry about casting his own shadow, one greater than his father's.
So how big is Ninoy's shadow, really? Big enough, apparently. Cory Aquino has stepped into it from 1986-1992. And with P-Noy's election to the presidency, we can expect his shadow to remain for another six years.
And again, we go back to the avatar issue. If P-Noy is the avatar of Ninoy, then so was Cory. We've heard it countless times before: if Ninoy hadn't been shot in 1983, it would have been him in MalacaƱang, not his wife. It seems then that the Filipino populace does not vote for a person; the Filipino votes for an ideal, an ideal represented by a certain bespectacled former senator who died on the tarmac of the airport that now bears his name. This ideal, by association, was passed on to his wife, which got her elected to the presidency. And this ideal, by genetics, was passed on to his son, which also got him elected to the presidency.
Ninoy's ideals have outlived him, as they have outlived his wife. And they must also outlive his son. Ninoy's ideals must continue to exist, even after Ninoy Aquino himself has reached the status of “icon.”And Ninoy is close to reaching this status, as evidenced by the greatest creator of icons: pop culture.
Ninoy's induction into pop culture began even before he was immortalized on our currency (currently the second most expensive monetary bill of this country). It began with the use of the color yellow, way back since Cory Aquino's presidential campaign. This of course alludes to the song “Tie a Yellow Ribbon Round the Old Oak Tree,” Ninoy and Cory's favorite song. The color yellow also became the symbol for democracy and peaceful protests, gracing the cover of Time Magazine when they featured Asia's first female head of state. The yellow ribbon made a popular comeback in 2009, when Cory left this world to join her husband. This kind of gave P-Noy a campaign edge, since he also utilized yellow ribbons for his presidential campaign, way before the start of the official campaign period.
Artists have also gone as far as using metonymy with Ninoy's glasses. Some have also made shirts (yellow, of course) with Ninoy Aquino's face done in the style of Che Guevara. And this is where the danger lies, in my opinion. Che Guevara is more than an ideal now; he is an icon. And this is apparently the direction Ninoy Aquino is bound to take. Che Guevara used to represent an ideal, one that we may not all agree with, but an ideal nonetheless, pure and selfless. But once he became an icon, everything was lost. Now, people remember Che Guevara not for his socialist ideals that helped win the Cuban Revolution, but for the beauty of his face that looks damn good on t-shirts. And that same thing could happen to Ninoy, should the Filipino people forget the story behind the iconic mug found on countless campaigns and merchandise. Everything he fought for, everything he stood for, everything he died for is part of the story that we should keep on telling.
Many are still believers. That surge of patriotism running through the veins of today's youth? It seems very real and enduring. Let's hope that generations to come will see Ninoy not just as a face on a shirt, but a true face in the crowd─as someone real and could possibly be awakened from inside all of us.








